The Wall is about Kavanagh, filling his national service on the coastal wall that girdles the UK to keep out the Others after the world has gone to pot from the Change, which saw sea levels rise around the world and, we guess, massive environmental damage and human displacement. I say 'we guess' because the world building is short on detail. So short I thought The Wall was going into allegorical territory but if it was it didn't have a lot to say other than 'it's complicated'. And if it wasn't an allegory, the world building was unconvincing. For example it's set a little in the future and they still have TV and mobile phones but the Wall is super low-tech and the guards don't even have night vision goggles or automated defences.
It's also been compared (incorrectly by some) to 1984. Kavanagh is no Winston Smith. He doesn't question or resist. He drifts. Maybe this is Lanchester's comment on late 20th/ early 21st Century humanity. Whatever, it doesn't make for an engaging character or prosecution - through their eyes - of a particular stance.
The events that happen, while believable, alternate between being quite boringly quotidian and described in mind-numbing detail. There's also a LOT of foreshadowing in the 'little did I know I'd never see her again' vein and even though things pick up a bit in the final sequence there's zero resolution and I actually swore out loud when I read the last sentence because it was the opposite of thought-provoking, fulfilling or anything else you could hope for from the end of a really good book.
James SA Corey postponed the release of Tiamat's Wrath so they could concentrate on getting it right. It was worth the wait. Persepolis Rising (book 7) was a difficult book, bringing in a significant time jump for the lead characters and ending on a huge downer with the crew of the Rocinante fragmented: some captured, some on the run. One of the strengths of Tiamat's Wrath is how these characters - isolated and in difficult circumstances - pull themselves up to a position where they can strike back. This is one of the strongest books in the series with brilliant plot and character reveals throughout.
The first Book of the Change, The Silent Invasion, channelled classic YA speculative fiction like the Tripods and Tomorrow series and ended with one hell of a cliffhanger. See my earlier review on Goodreads.
The Buried Ark picks up the action immediately after the end of Book 1. Callie is in the Zone and penetrates deeper into the nightmarish landscape with her less than trustworthy companion. The people that exist there are terribly altered. Author James Bradley is clearly riffing on The Invasion of The Bodysnatchers but manages to turn it into something darker, which is no mean feat.
Of course the deeper horror of the Books of the Change is that the Zone is a corollary for the climate change we see accelerating around us, and which is turning our ecosystem into something just as inhospitable. It's a truth the young readers of these books will have to confront in the too-near future. Speculative fiction often deals with what is happening in the real world today, and Callie is the perfect avatar for the upcoming generation who - we hope - will be able to solve the problems left them by so-called adults.
Within this uncomfortable framework, the action in The Buried Ark is relentless as Callie finds unwelcome truths about the Zone's denizens and herself before becoming embroiled in a plan to halt the Change with deadly consequences for everyone on the planet.
The ending of Book 2 is one of the most gutsy pieces of writing I've seen in a long time, doubling down on Book 1's cliffhanger and then some. Where Book 3 will take us, I have no idea, but I'm buckled in and ready for the ride.
Well that was disappointing. I loved the His Dark Materials books and their combination of imagination, action and big ideas and I looked forward to diving into Pullman's world again with the first in a prequel trilogy.
The story of La Belle Sauvage starts promisingly enough. Lyra is a baby and has been ordered into the protection of a nunnery near Oxford. Malcolm is a likable and plucky boy who works and lives with his parents at a nearby pub and often visits the nuns. The arrival of Lord Asriel to see his daughter draws Malcolm into a battle that is raging around the baby between the Magisterium and a secret network of spies called Oakley Street.
The witches in the north have a prophecy about the baby and others want to do her harm. During a violent storm and subsequent flood, Malcolm flees with the baby and Nancy, a serving girl, in his boat La Belle Sauvage across a drowned land.
The rest of the book - 50% of the text - centres on a series of adventures the three have, which become quite repetitive and have little to no bearing on the central plot. After a few chapters of this it begins to feel like incident for incident's sake. Filler. The central plot is also vague. There's talk of Dust and certain scientific research, but because Malcolm and Nancy are not part of the Magisterium or Oakley Street, their knowledge (and ours) is limited.
The whole series of events (it's not a plot really) peters to a predictable end with the promise that something interesting or really exciting might happen in the next book. I don't think I can be bothered.
Hot of the press, I'm reading this right now, but if you haven't read any
Expanse books (or seen the TV series on Netflix) get into it. This is
book 7 and the adventures of the crew of the Rocinante have been
fantastic up to now. Persepolis Rising takes a huge
gamble, skipping forward 30 years (so substantially ageing our favourite
protagonists) but the writing duo that is James SA Corey know what the
hell they're up to and they have a game plan for the next two novels already
contracted after this one, so have faith! In The
Dark Spaces - Cally Black
Ampersand Award winning Kiwi author Cally Black’s In
The Dark Spaces is a surprising and original YA novel.
Set on a spaceship way out between the stars, the story is tense and –
true to the title – often dark, but the young heroine, Tamara, has a
really engaging voice and a big heart that won’t let her give up trying
to find her lost little brother. If you have a youngster you want to indoctrinate in the ways of
sci-fi, I really recommend it. The Silent
Invasion - James Bradley There are books you just fall in love with when you read them as a young
person. For me they included Alan Garner’s The
Weirdstone of Brisingamen, Susan Cooper’s Under
Sea, Over Stone and Ursula K Le Guin’s A
Wizard of Earthsea. Others come to mind that I enjoyed as an
adult because they gave me that same kind of feeling: John Christopher’s
Tripod books, John Marsden’s Tomorrow series and so on, all of them
treasured by one generation or another. James Bradley’s The Silent Invasion delivers
just that feeling. A brave young person standing up against the
injustices of the world they live in, taking risks to save those they
love, being confronted with terrible trials and overcoming them. The
story is timeless, but Bradley makes it relevant to now: the idea of a
planetary environment that is hostile is – sadly – a very contemporary
idea that children growing up now will have to confront as a reality in
the not too distant future. The book also riffs on very familiar SF
tropes like The Invasion of the Body Snatchers and The
Day of the Triffids as well as more modern films like
Gareth Edwards’s 2010 indie sci-fi flick Monsters.
But it’s all the more compelling for that because the story telling feels
so fresh. The plot flies by effortlessly and the writing is clean and
compelling – which means Bradley has put a hell of a lot of effort into
it – and the ending just makes you want to devour book two. The Road
to Winter - Mark Smith
Australian author Mark Smith set out to write a page-turner and achieves
this beautifully. The Road to Winter is a great addition to YA
post-apocalyptic fiction focusing very tightly on the after-effects of a
plague on the likable protagonist Finn. Left alone in a deserted town on
the NSW north coast, he survives quite well for a couple of years,
hunting with his faithful dog Rowdy and hitting the surf like a typical
teenager when it all gets too much. But his solitude is shattered when
escaped refugee Rose comes to his small town. The writing is pared back, clean and vivid, and Smith tackles personal
timeless issues of growing up along with contemporary problems of today's
Australia while keeping the action thrumming along. Book two, Wilder
Country is out now and promises to expand Finn's world. It's
on my 'to read' list. The Stars
are Legion - Kameron Hurley
The Stars Are Legion is refreshing on so many
fronts. Firstly it's a stand-alone, so not weighed down with all that a
trilogy entails. Secondly the world building and technology is visceral -
literally: bio-organic spray-on spacesuits,walls and floors on the
'spaceship/worlds' of the Legion that feel moist to the touch, petal-like
doors that unfold, cephalopod guns, willing dolphin-like attack craft
that you sit 'on' rather than 'in', interchangeable wombs that grow
people and ship parts - it's like Cronenberg wrote an SF novel. Thirdly
the writing is fresh and tight and the characterisation and plotting is
intriguing. Zan wakes with no memory on the ship/world of the Katazyrna. But she has
been here many times before, and she's told by Jayd, daughter of the
Katazyrna leader, that she has failed once more in a plot they share to
gain control of the free ship/world of Mokshi and must try again. It's up
to Zan to learn what is true and false in the worlds of the Legion and
what really matters. Paranoia and treacherous intent build beautifully under Hurley's tight
control and the worlds of the Legion get weirder and weirder as Zan
discovers the truth of the spaces they inhabit and what has happened
during her countless previous failures.